Smoke, Fog, and Haze: Where the Stage Gets Cloudy
by JULIANNE TVETEN few minutes before I speak on the phone with John Money, a producer at Hollywood's 42-seat Theatre of NOTE, he was searching online for a fog machine " something standard, utilitarian, affordable. "Usually, I get the commercial, kind of Halloween-esque machine," he says. "When you deal with the budgets that we deal with, every five bucks is, like, really? Every night?" Despite his p…
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