King's theatre, EdinburghGregor Fisher is the picture of conspicuous consumption in Douglas Maxwell's hilarious reworking of Roberto Cossa's playThe small flat above the chip shop is a stripped-down ruin of its start-of-play self: spaces gape where furniture stood. Charlie, a layabout composer manqué, reads aloud a newspaper summary of a controversial Play for Today. It is written by one of his kin and the plo…
SOURCE: The Guardian at 03:03AM on June 7, 2015