Royal Court, LondonWalsh's 'mischievous' dialogue and plot additions largely obscure Dahl's nimble, knockabout nastinessThis is not what the Roald Dahl estate wants to hear. Billy, seven, a Twits devotee, announced that, though the production was the "best ever", Enda Walsh's adaptation would not have made him want to read the book.Before the show he had been agog for the moment when the vile Mrs Twit, tied to balloo…
SOURCE: The Guardian at 02:00AM on April 19, 2015