Holman has spent four decades writing plays of startling beauty, bringing his watchfulness and compassion to bear on the emotional turmoil of quiet livesThere is a temptation when we write about theatre to try to disguise our subjectivity as objectivity. It's a temptation encouraged by the conventions of criticism and academia. As students we are trained to hide our personal, individual voices. As critics we aspire t…
SOURCE: The Guardian at 12:26PM on March 10, 2015