First Nighter: Ivo van Hove's "View From the Bridge" View, David Hare's "Behind the Beautiful Forevers" Gaze by David Finkle

London--What can ordinarily be objectionable about Ivo van Hove's too often juvenile look-at-me directing is that he thinks it's innovative to play up a script's subtext. That, of course, is just what writers don't want done. It's called "subtext," for the blaring reason it's meant to remain sub.

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