Mark Rylance recalls his first encounters with Shakespeare's plays, from a school production of Macbeth to seeing Olivier's Richard III on TV and visiting the RSC in the 1970s, where Donald Sinden and Judi Dench's Much Ado About Nothing proved to be a perfect comedy of errors. Rylance also explains traditions of 'hearing' not 'seeing' Shakespeare's plays. This is an exclusive clip from Muse of Fire, a resource of int…
SOURCE: The Guardian at 07:47AM on November 14, 2014