The Marriage of Figaro, Coliseum, review: Sarah-Jane Brandon and Mary Bevan shine in Fiona Shaw's ENO show
On its first outing, Fiona Shaw's production of The Marriage of Figaro was both fussy and unfunny, but in revival it's greatly improved. There are still too many pointless sight-gags, the cuckoldry symbolism is still overdone, and the revolve still revolves far more than it needs to, but the set-piece comic scenes " Figaro's Ortonish rediscovery of his parents, and the climactic shenanigans in the darkened garden " a…
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