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Dangerous Corner, Richmond Theatre by Marianka Swain

In his otherwise unremarkable 1932 debut play Dangerous Corner, J B Priestley employs a promising framing device that hints at the kind of metafictional experimentation found in works like Stoppard's The Real Thing or Pirandello's Six Characters in Search of an Author.read more

SOURCE: The Arts Desk at 7:03pm on September 29, 2014

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