John Gabriel Borkman
This production, by Dublin's Abbey Theatre, of one of Ibsen's last plays, is beautiful from top to bottom, but the set and the performances far outweigh the text itself. The play is a pot-boiler that touches on most of Ibsen's major themes without offering any new insights into his well-established views on bourgeois corruption and stultification. Because the Abbey's production doesn't reimagine the text"in what th…
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