Perseverance Drive, Bush Theatre
Plays about religious belief present something of a problem. How can theatre-makers, who tend to be very secular-minded, convey the mindset of believers without being patronising? And once they involve people from the developing world, how can they avoid being condescending to different views of humanity? Robin Soans's new play, which starts in Barbados and examines the case of a gay son who returns to his religious …
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