Has Britain thrown away its best theatre director? On the set of her daring new show, Katie Mitchell talks about being raved about everywhere but at homeA 1940s New York train carriage sits at rest inside a darkened warehouse, one of its sides cracked open. Ten actors in fedoras and tea dresses scuttle through it, followed by a camera crew. What they film is projected live on to a screen up above. "Cam…
SOURCE: The Guardian at 03:00AM on July 9, 2014