What do you get when a set designer is given free rein to take over a show? Colliding pianos, magic prams and Sputnik on ice. We meet a Russian stage visionary in MoscowThe most astonishing moment in Opus No 7 is not the part when the stage is invaded by a fleet of rusty metal grand pianos, clattering and crashing into each other like demented bumper cars. Nor is it the scene in which a virtual Nazi camp commander, p…
SOURCE: The Guardian at 01:59AM on May 5, 2014