Joan Acocella: Justin Peck’s “Everywhere We Go,” at the New York City Ballet.
In the nineteen-eighties and nineties, all the greatest ballet choreographers of England and America died: George Balanchine, Frederick Ashton, Antony Tudor, Jerome Robbins. Since then, everybody has been looking for replacements, dance-makers who, while remaining faithful to the classical steps, will save us from the classical bores, “ . . .
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