MetroStage's 'The Thousandth Night' deftly evades play's invitation to mawkishness by Nelson Pressley

Acting isn't subversive, right? That's the case a nervous Parisian performer makes to a roomful of 1943 French gendarmes in Carol Wolf's "The Thousandth Night," a solo drama that Alexandria's MetroStage is reviving from its own attic of past shows. Read full article >>

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