MetroStage's 'The Thousandth Night' deftly evades play's invitation to mawkishness
Acting isn't subversive, right? That's the case a nervous Parisian performer makes to a roomful of 1943 French gendarmes in Carol Wolf's "The Thousandth Night," a solo drama that Alexandria's MetroStage is reviving from its own attic of past shows. Read full article >>
Please log in or create an account to report a problem with this listing.