Los Angeles Theater Review: PAUL ROBESON (Ebony Repertory Company)
PROMETHEUS BOUND In a production as stately and reverent as its subject was startling and rebellious, Philip Hayes Dean has directed his own one-man-with-musical-accompanist play to a standstill. I don’t know how you’d do this if you wanted to: to reduce a renaissance man like Paul Robeson to the dusty subject of a mediocre history […]
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