Review: Hamlet, Les Gémeaux, Paris
David Bobee’s Russian Hamlet is, among other things, a strong argument for age-appropriate casting. While in Britain we like our Princes of Denmark to be ‘accomplished’ actors (read ’30 and above’), this man in black is defiantly juvenile, careering round the stage with adolescent abandon in a pair of skinny jeans and a trendy haircut. […]
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