Review: Rodelinda, London Coliseum
The motif of the tattoo defines Richard Jones' production of the three act tragedy, Rodelinda. Italicised names – symbols of romantic devotion – are scrawled across the bodies of Handel's characters, dredging the preoccupations of each heart to the surface, and pulling the setting of the play into a relatively modern 20th century. The streaks […]
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