In John Donnelly's brilliant new version for Headlong, Chekhov's play became entirely " almost eerily " comtemporary' Read more from the Best theatre of 2013 seriesChekhov, our contemporary? It has certainly felt like it in recent years. As Susannah Clapp noted in her review of John Donnelly's new version of The Seagull, "We're living in an era of strong and radical Chekhov productions". His rudderless Russians and t…
SOURCE: The Guardian at 11:13AM on December 19, 2013