Forget What You Know About Brecht by Mark Blankenship

With Good Person of Szechwan, director Lear deBessonet finds Brecht’s heart and joy — “Is there anything more toxic than the academic way of understanding Brecht?” So asks Lear deBessonet, director of the Foundry Theatre’s massively successful production of Good Person of Szechwan, which premiered earlier this year at LaMama and is currently at the more »

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