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Britten's Rape of Lucretia: a director's diary by Fiona Shaw

With days to go before Glyndebourne opens only its second staging of the Britten chamber opera it premiered, director Fiona Shaw reflects on bravery, burial and layers of darknessThursday 3 October 2013For some weeks now, I've been staying at Glyndebourne to rehearse Britten's strange opera, The Rape of Lucretia. The opera house has always been unique in that the entire creative team " repetiteurs, conductors, direct…

SOURCE: The Guardian at 03:00PM on October 15, 2013

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