Toward a Neo-Cubist Alamkara Vocal Art for Playwriting
A writing practice for working-class operatic cadence, character vibrato, and richer palettes of emotion When I first started writing electric and hysteric operettas1 with punk bands down in Texas, I tried to draw what I thought language could sound like onstage. I came up with the illustration "Back of the Dollar Latin"2 because I was worried about how [...]
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