Garrick, LondonOne thinks of Pygmalion as about the metamorphosis of Eliza Doolittle. But in Philip Prowse's thought-provoking production, Kara Tointon reminds us that what matters " and moves us " is that Eliza does not, in the deepest sense, change. She may protest that Professor Higgins has stolen her independence, but she goes on to prove that her spirit is inviolably her own. Tointon, winner of 2010's Strictly C…
SOURCE: The Guardian at 07:06PM on May 28, 2011