Chicago Theater Review: THE MISANTHROPE (Court Theatre)
THEÂ TITLE CHARACTER ISÂ TOO PURE FOR PEOPLE, BUT THIS PURE PRODUCTION IS FOR EVERYONE Of all Moliere’s comedies, The Misanthrope (1666), now gloriously and faithfully revived at Court Theatre, is the one literary critics and Moliere fans most take to heart. The master's most personal and most ambiguous work, The Cantankerous Lover (its telling subtitle) delivers [...]
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