The Shed, LondonDurable tables emerge from workshops. So too does Tanya Ronder's ambitious new play, which spans six generations of a single family and opens the National's inviting new temporary 225-seat space. But, while I admire the scope of Ronder's piece, it reveals its workshopped origins in that particular scenes strike one more forcibly than the play's total gesture.Ronder uses a solidly crafted table as a wa…
SOURCE: The Guardian at 12:53PM on April 14, 2013