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A Boston Southie Clashes With A Lace-Curtain Irishman by Mark Cofta

The Walnut Street Theatre fits one serious contemporary play into each season of musicals and crowd-pleasers, and David Lindsay-Abaire's 2011 Broadway hit Good People fills that role this time around. While definitely a comedy, Good People explores class in America (defined somewhat by race and accent, but mainly by income) with discomforting insight.

SOURCE: City Paper (Philadelphia) at 5:39am on March 28, 2013 ☆ ⚑

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