Everyman, LiverpoolTwo fissures in the broken-tiled concrete floor are filled with a foul-looking liquid, bubbling gloopily. A drifting smoke, from no seen source, hazes the air. Francis O'Connor's concrete and rusted-metal set with dangling wires searing unexpected sparks into darkness, invokes a post-apocalyptic sci-fi cross between abandoned warehouse and battle-broken war room. In director Gemma Bodinetz's striki…
SOURCE: The Guardian at 07:05PM on May 14, 2011