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From the archives: Schoenberg and the New Expressionism by George Hunka

Originally posted on 19 October 2010. In his monograph on the music of Arnold Schoenberg [1], Charles Rosen describes one of the composer’s major achievements as “emancipation of the dissonance”: “a freedom from consonance, from the obligation to resolve the dissonance.” … Continue reading →

SOURCE: Superfluities Redux at 8:21am on March 21, 2013

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