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Dark delights in Camelot by Elisabeth Vincentelli

Watching the magnetic Tina Benko chatter about style and death in "Jackie," you've got to wonder: How the heck did she memorize that crazy script, which jumps about without an obvious chronological or emotional through-line? Unlike the 1997 Broadway extravaganza with the same title, Elfriede Jelinek's "Jackie" has...

SOURCE: The New York Post Subscription at 11:01pm on March 6, 2013

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