Watching the magnetic Tina Benko chatter about style and death in "Jackie," you've got to wonder: How the heck did she memorize that crazy script, which jumps about without an obvious chronological or emotional through-line? Unlike the 1997 Broadway extravaganza with the same title, Elfriede Jelinek's "Jackie" has...
SOURCE: The New York Post at 11:01PM on March 6, 2013