Engaging 'On the Head of a Pin' Needs a Blue Pencil

Frank Winters, a new and zealous playwright, is possibly too talented for his own good. For the world premiere of “On the Head of a Pin,” he is both author and director; what he really needs is an objective and rigorous editor. At three hours, this ambitious story combining dark deeds in Iraq and freedom of the American press is protracted and unwieldy. It’s a pity, as Winters clearly has a gift for…

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