CUI BONO? A Critique of the Conscripted Audience and, Perforce, a Manifesto
It is not enough to demand from the theater mere perceptions, mere images of reality. The theater must arouse our desire to perceive, it must organize the fun of changing reality. Our audience must not only hear how the chained Prometheus is freed; it must also school itself in aREAD MORE
Please log in or create an account to report a problem with this listing.