Barbican, LondonTatyana is by far the most absorbing work Deborah Colker has made " with one qualification: you have to know the plot of Pushkin's Eugene Onegin, or at least pay for a programme, if you want to follow the story.Located somewhere between imperial Russia and modern Brazil, this version eschews dramatic realism. The only scenery is a large wooden tree " used more as a choreographic springboard than an ev…
SOURCE: The Guardian at 09:42AM on February 1, 2013