'The Suit' Casts an Unintended Chill

Those familiar with director Peter Brook’s work over the last decade or so—most recently in New York “The Magic Flute,” “Love Is My Sin,” and the soon-to-be-revised “Fragments”—will know what they’re getting into with “The Suit.” Once Europe’s foremost interpreter of Antonin Artaud’s theater of cruelty, most prominently displayed in h…

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