The Silence of the Sea, Trafalgar Studios
Few productions give the sound designer absolute pride of place, but such is the presumably inevitable nature of a play called The Silence of the Sea that what isn't voiced counts every bit as much as what is. Gregory Clarke's aural landscape works overtime in a 95-minute piece (no interval) that couples speech with sustained silences, yes, but also with eerie ambient noises that suggest all manner of offstage activi…
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