John Lahr: “Vanya and Sonia and Masha and Spike,” “Golden Child” reviews.
Christopher Durang’s theatrical specialty is a kind of gleeful comic exaggeration that falls somewhere between farce and satire, between mischief and mayhem, in that territory that Chekhov referred to as “vaudeville.” Durang is an equal-opportunity lampooner; he has sent up Russian literature (“The Idiots . . . (Subscription required.)
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