John Lahr: “Through the Yellow Hour,” “Grace” reviews. by John Lahr

In one of the major avant-garde performances of the late nineteen-sixties, the actors of the Living Theatre used to run almost naked through startled Off Broadway audiences, bleating about not being able to travel without a passport. Forget passports: in the bloodcurdling, apocalyptic landscape of Adam Rapp&#8217 . . . (Subscription required.)

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