Enquirer, Barbican, at Mother at the Trampery by Judith Flanders

Site-specific theatre is hard " where to put the audience, can they stand for nearly two hours, how do we enable them to see/hear, most importantly, what is the purpose of the site and how is it to be used? Verbatim theatre, too, is hard " how to shape a narrative, how to develop characters. Put the two genres together, and what have you got? A well-intentioned, rather unfocused mess, to be honest.read more

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