I'd always been sceptical of site-specific and non-text-based theatre, but Robert Wilson's astonishing Walking won me overAs readers rapidly come to suspect, critics tend to have their prejudices. After a period of exposure to most reviewers, it becomes relatively easy to predict what their broad reaction might be to, for example, a musical or to a new play dealing with religion or American foreign policy. So it is p…
SOURCE: The Guardian at 10:20AM on September 20, 2012