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King Lear, Almeida, London by Michael Coveney

Almeida, London: Although Michael Attenborough's fast-paced and lucid revival edges dangerously from pagan neutrality into medieval monotone, Jonathan Pryce's Lear is a compelling old curmudgeon, fiery and watchful at the same time, and especially moving in the scenes from Dover to deathbed. Read the full review

SOURCE: The Stage Registration at 6:20am on September 12, 2012

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