Almeida, London: Although Michael Attenborough's fast-paced and lucid revival edges dangerously from pagan neutrality into medieval monotone, Jonathan Pryce's Lear is a compelling old curmudgeon, fiery and watchful at the same time, and especially moving in the scenes from Dover to deathbed. Read the full review
SOURCE: The Stage at 06:20AM on September 12, 2012