Edinburgh Fringe Review: The Madness of King Lear by Chloe Stopa-Hunt

To explain the quality that elevates The Madness of King Lear into the sphere of superlative interdisciplinary theatre, we must look to Federico García Lorca: this transformed Lear burns and shimmers with duende, a Spanish concept that Lorca defined better in the 1930s than anyone has since. Duende is "a power, not a work" " [...]

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