Courtyard, Stratford-upon-AvonPart of the World Shakespeare festival, Iqbal Khan's production is set in a contemporary Delhi that probably bears as much relation to that city as did the Messina of this 1600 comedy to its Sicilian counterpart. Neither should be seen as real; instead, each suggests the sort of place where the action might happen. In this sense, the transposition fits well: it plays to possible audience…
SOURCE: The Guardian at 07:05PM on August 4, 2012