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When class lines collide: Focal Point's potent 'After Miss Julie' packs a punch by Bob Bullen

It’s been said that English plays are all about class, while American plays are about property. Well, that’s certainly the case in Patrick Marber’s 1995 play After Miss Julie, which takes August Strindberg’s late 19th century play, Miss Julie, and pulls into 1945 England — specifically the evening when the British Labour Party defeated the [...]

SOURCE: Chicago Theatre Addict at 4:10pm on May 20, 2012

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