Farewell, “Riverdance.” Your footwork was magnificent, your story not so much

It has to be said: Much of Riverdance is profoundly dumb. This is not the fault of the performers — appealing, energetic, and superbly trained dancers, singers, and musicians who, on Friday night, inaugurated the local leg of their “farewell tour” at the Merriam Theater. Rather, it is because composer Bill Whelan, producer Moya Doherty, and director John McColgan have attempted to tie together a …

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