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National Gallery's 'I Spy' examines the assumed reality of candid photography by Philip Kennicott

Most people will acknowledge that the camera can be used as a powerful tool for telling lies. Harder to accept is that the camera, by its very nature, always lies, that it always misrepresents, distorts or manifests the hidden manipulation of its operator. Read full article >>

SOURCE: Washington Post at 2:00pm on April 23, 2012

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