Review: AN ILIAD by J. Scott Reynolds
Fate is treated skeptically in An Iliad, but for anyone who has followed the live performance career of Denis O'Hare, his presence on an empty stage at New York Theatre Workshop may feel like an appointment with destiny. The scene-stealing gusto he has brought to elevator panic attacks and monologues about baseball have bolstered productions almost too ably, leaving the sense of a talent underserved by quirky support…
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