Festivals seem to be a permanent fixture on the national theatre scene. So how could I make Camden's Sprint festival different?In a world of perpetual festivals, how does any individual one assert and sustain itself? When Sprint began at Camden People's Theatre 15 years ago, London's theatre scene wasn't as crowded with festivals as it is now. Back then, there was Lift, the Mime festival, and Battersea Arts Centre's …
SOURCE: The Guardian at 03:00AM on March 7, 2012