Salisbury PlayhouseTroilism turns out to be as tame as a bishop's tea party in Salisbury, where Caroline Leslie's revival of Noel Coward's 1933 comedy is handsome, frothy and frightfully gay, but only in the most old-fashioned sense of the word. How far this play about love down among the artists is coded rather than explicit is demonstrated by the fact that when the Lord Chamberlain passed it for performance in…
SOURCE: The Guardian at 02:00PM on February 7, 2012