Blood Wedding by Rosalind Lacy

When the lights come up, Death, impersonated by an ominous, stone-faced Matthew Pauli, stands center stage, softly playing a ukulele. Death, who is biding his time, often grinning, even leering, stalks with a cane through just about every scene and takes delight in lovers’ quarrels and family friction.  It’s a directorial choice; a Shirley Serotsky [...]

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