What can an all-black production add to Waiting for Godot? Andrew Dickson finds outIn what used to be a warehouse in Leeds, two men are waiting for something " anything " to happen. One rummages in his pockets. The other sucks morosely on a carrot. "The essential doesn't change," decides the first. "Nothing to be done," says the second.Waiting for Godot might be theatre's most famous representation of a world where n…
SOURCE: The Guardian at 05:01PM on January 31, 2012